MTV spoke with Florence Welch of Florence + The Machine about the differences between Ceremonials (out today) and her first album, Lungs.

Welch recorded her debut whenever — and wherever — she could, working with a handful of different producers in fits and starts. The reason was largely economic, of course, a problem she didn't face with the follow-up, Ceremonials, out in the U.S. on Tuesday. So when she finally wrapped up promotion behind her first album, she knew exactly where she wanted to record her new one — and who she wanted to do it with.

"The first album, what I learned, for better or for worse, it was done over from the ages of 17-22, with a couple of different producers. Some of it was recorded in an old swimming pool, some of it was recorded in a synagogue — it kind of was all over the place," Welch told MTV News. "And that made it the record it is, but for this one, I was very clear in the idea that I had of wanting to make something that sounded like a whole; so it had to be one producer, one place, one period of time to make it a body of work."

Produced entirely by Paul Epworth (whose work on Adele's 21 is probably playing on a radio near you right now), Welch and the Machine crafted an album that, though all over the place lyrically, is unified by one common theme: an all-encompassing, soul-engorging enormity — one that's large enough to give even Welch pause.

"They're all pretty big," she laughed. "They all came out quite big. I was slightly worried, because I was like, 'All the sounds are enormous on this record.' "

Click here to watch their video for "Shake It Out," if it doesn't appear below.

http://www.youtube.com/watch?v=WbN0nX61rIs